Who’d have thought that a ceiling of ladders and a set that looks like a school gym climbing frame would transform the Lowry stage into a jungle filled with adventure and excitement!
This brand new musical version of Kipling’s classic tale is a breath of fresh air, with an emphasis on acceptance, diversity and the constant reminder that “we all live in the same jungle” reminds the audience that everyone should be accepted, even if they look a bit different.
When people say The Jungle Book, most people think about the Disney cartoon. With brand new songs and script, the story is more focused on the original book, but so much better.
This show isn’t just a children’s show; there are plenty of jokes for the adults too (including a lot of references to avocado on toast!). The direction by Max Webster and the choreography by Lizzi Gee is smart with the use of puppets and how the actors play the different animals.
The fact that Mowgli (played by Keziah Joseph) is never referred to as a girl or a boy, and just as a man-cub is lovely. A highlight of the show and a recurring motif in the show is Mowgli’s song “No one,” she sings, “will tell me who I am” strengthens Mowgli’s character and place in the jungle.
Mowgli has “The perfect modern family!” with a panther and bear as parents. Deborah Oyelade’s fierce performance as strong feminist “black panther” Bagheera, who stalks around the stage with sass, and Dyfrig Morris’ bumpkin-like Balloo.
Lloyd Gorman’s Shere Khan is a mixture of Rum Tum Tugger and Scar but really rocks the Elvis-style jumpsuit. A comical performance that left the audience booing along as Gorman entered for his bow.
With choreography and directions nodding towards Lion King, the show is a marvel and sublime piece of theatre. A West End transfer must be considered!